Figures Collection
The Body as Ledger
A photographic accounting of neurological episodes that cannot be written off (2012–present).
Figures Collection: The Body as Ledger is an archival practice that registers neurological events through a grammar of transaction rather than testimony. Where expressive disclosure would risk social erasure—reducing the subject to spectacle or pathology—this series adopts the forensic logic of bookkeeping. The body, here, is neither a site of display nor a vessel of narrative, but an instrument of record.
Each photograph captures a single, non-public episode as a figure of constrained physical notation. The form is shaped not by emotion but by the bureaucratic architecture that encloses lived experience: redacted medical reports, contradictory witness statements, formally denied insurance claims. These documents constitute the clinical and administrative perimeter around an event—acknowledging its occurrence while systematically refusing its social or material validation.
The work exists in the liminal space between registration and recognition. It leverages the aesthetics of evidentiary filing, forensic taxonomy, and archival classification to trace how pain is absorbed into systems of documentation, processed into data, and filed as an unsettled account. The transaction is logged but never completed; the entry is made but never closed. The body, in this calculus, is a ledger where pain is accounted for—yet never written off.
FORMAL NOTES
- Process: Each photographic entry is preceded by a dossier of institutional documents about a specific neurological event. The bodily posture is derived from this textual and administrative trace.
- Format: Archival pigment prints, presented alongside facsimiles of associated documents (heavily redacted).
- Installation: Works may be displayed in grid formations or ledger-like sequences, emphasizing seriality, classification, and the cumulative weight of unacknowledged entries.
PROJECT CONTEXT
Developed within the broader framework of Transaction Art, this series examines the mechanisms through which personal experience is translated—or refused translation—into social, medical, and economic currency. It proposes accounting as a critical artistic methodology for registering what cannot be shown, and archiving what cannot be settled.
AVAILABILITY
The series is available for acquisition as individual entries or as a complete archival sequence.
Institutional inquiries regarding exhibition or acquisition are welcome.













